Breaking In: Interview with Foz Meadows

Welcome to the latest installment of Breaking In, where I interview authors about their experiences breaking in as writers — how they did it, what it felt like to get there, and how it differed from what they were expecting.

Today, I’m very pleased to have the opportunity to interview Hugo-Award nominated author Foz Meadows.

Per her website and Amazon bio, Foz is a genderqueer author, blogger, essayist, reviewer and poet. In 2014, she was nominated for a Hugo Award for Best Fan Writer for her blog, Shattersnipe; she is also a contributing writer for The Huffington Post and Black Gate, and a contributing reviewer for Strange Horizons and Tor.com (as well as the much-missed A Dribble of Ink). She professes a fondness for cheese, geekery, writing, webcomics and general weirdness and an aversion to Hollywood rom-coms, licorice and waking up.

She is the author of Solace and Grief and The Key to Starveldt, Books 1 and 2 in The Rare series. Her latest novel, An Accident of Stars, Book 1 in the Manifold Worlds series, will be published by Angry Robot on August 2, 2016.

When Saffron Coulter stumbles through a hole in reality, she finds herself trapped in Kena, a magical realm on the brink of civil war. 

There, her fate becomes intertwined with that of three very different women: Zech, the fast-thinking acolyte of a cunning, powerful exile; Viya, the spoiled, runaway consort of the empire-building ruler, Vex Leoden; and Gwen, an Earth-born worldwalker whose greatest regret is putting Leoden on the throne. But Leoden has allies, too, chief among them the Vex’Mara Kadeja, a dangerous ex-priestess who shares his dreams of conquest. 

Pursued by Leoden and aided by the Shavaktiin, a secretive order of storytellers and mystics, the rebels flee to Veksh, a neighboring matriarchy ruled by the fearsome Council of Queens. Saffron is out of her world and out of her depth, but the further she travels, the more she finds herself bound to her friends with ties of blood and magic. 

Can one girl – an accidental worldwalker – really be the key to saving Kena? Or will she just die trying?

You can find more information about Foz’s works, and how to find them, here.

An Accident of Stars, Foz Meadows

An Accident of Stars, by Foz Meadows

[SGM] Welcome to the blog, Foz! To begin, when did you feel like you’d broken in as a writer?

[FM] The thing about writing – which is also true of most creative professions – is that “breaking in” is pretty much an ongoing process rather than a fixed state. There’s always a different milestone up ahead, some new rubric of success or notoriety to aim for, and it’s not the same for everyone. For instance: the first time you’re paid for a piece of writing is an obvious yardstick, but for me, I felt a bigger jolt of progression when my unpaid blogging started to earn me a readership. Right now, I feel like I’ve “broken in” to the extent that I have a local degree of name recognition, friends in the field and a record of con attendance and participation, but I’m aiming for the type of “broken in” that means I make enough money from writing to support myself and my family without having to take other jobs.

Author Foz Meadows

Foz Meadows, Author

What was your path to breaking in? Did you have a strategy? Did it work, or did you end up getting there another way?

Early on, the goal I had for “breaking in” was to have a novel published, and unless you’re especially lucky, the only way to achieve that goal is hard work. Through high school and university, I was writing endless drafts of a book I now refer to as the GUE, the Great Unpublished Epic. It was big and messy and changed a hell of a lot between iterations, and after a while, I was just exhausted by it. Just for a break, I started writing something new – I was bingeing Buffy the Vampire Slayer at the time, and wanted to figure out my own vampire mythology – and ended up with a YA urban fantasy novel, Solace & Grief. Though I was still invested in the GUE, it only made sense to start submitting them both together, and in the end, it was Solace that attracted a publisher. There were a lot of ups and downs in the interim, of course, and a lot of hard work, but I got there in the end, and while my writing style – and my narrative priorities – have changed a lot since that first book, I wouldn’t be where I am now without it.

Solace and Grief, Foz Meadows

Solace & Grief, by Foz Meadows

And following up on that, knowing what you do now, what would you do differently?

To me, that’s always going to be an impossible question. For better or worse, we’re all the sum of our experiences – there’s no neat way to excise a past decision without simultaneously changing what you became in its aftermath. If I’m in a position to give advice to my past self, it’s only because she did the hard work – and learned from the mistakes – that led me to who I am now. The same will be equally true in five years’ time, or ten, or twenty. In writing as in life, the goal is always to improve: there is no static, fixed point beyond which you get to rest on your metaphorical laurels without stagnating. To share a quote that’s always stuck with me, Without order, nothing can exist; without chaos, nothing can evolve. The world is always changing, and so are all of us.

Key to Starveldt, Foz Meadows

The Key to Starveldt, by Foz Meadows

Now that you’ve broken in, is it like or unlike what you expected? How?

When I was younger, I didn’t really have an idea of what it would mean to be an author beyond “gets paid to write books”. I didn’t have access to cons as a teenager, and my awareness of the SFF community was minimal at best, restricted largely to the few friends I had who shared my interests. That perspective got a little bigger with the advent of the internet, but online engagement has changed the scene so much in such a small span of time that, even if I had sat down in my early teens and tried to envisage the practicalities of authoring, I would’ve been way off the mark. At base, all I ever expected was to tell stories, and the fact that I get to do that still feels like a privilege.

What are you working on now?

Right now, I’m working primarily on the sequel to An Accident of Stars – currently titled A Tyranny of Queens – with a couple of queer fantasy romances on backburner.

How can people keep up with you online?

Twitter, WordPress and tumblr are the main places, though I also crop up elsewhere.

Thanks again to Foz for taking the time for the interview! As an unrepentant fan of portal fantasies, I’ve been excited to see new writers taking on the subgenre – and I can’t wait to see what she does with it in An Accident of Stars!

Coming up next on the blog: I’ll be sharing my thoughts on a recent book of essays that features twenty-seven more writers sharing their experiences of breaking in — The Usual Path to Publication: 27 Stories About 27 Ways In.

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