Breaking In: Interview with Alex Wells

Welcome to the latest installment of Breaking In, where I interview authors about their experiences breaking in as writers — how they did it, what it felt like to get there, and how it differed from what they were expecting.

Today I’m very pleased to have the opportunity to interview a widely-published writer of short fiction, novels, and non-fiction, and a self-described “Dapper AF asshole ‘geographer,’ geologist, heart puncher” – author Alex Wells.

Alex’s Twitter bio, while pithy and accurate, doesn’t quite describe the full scope of their writing credits, which are listed on their [link to writing page]website.

Alex is the editor of the anthology NO SH!T, THERE I WAS, and is an acclaimed writer of short fiction, with over 30 published works. Their first novel, HUNGER MAKES THE WOLF, was published by Angry Robot Books in 2017. Their non-fiction writing has appeared on, Strange Horizons, Book Riot and in a number of other venues.

The “asshole geographer” sobriquet, which they’ve cheerfully reclaimed, was the result of some nerd-rage pushback to Alex’s fascinating article on discussing the geological implausibilities in Tolkien’s map of Middle Earth.

Their latest novel, BLOOD BINDS THE PACK, is the sequel to HUNGER MAKES THE WOLF. Published by Angry Robot Books, it’s out today – February 1, 2018 – in the UK, and will be available on February 6 in North America, from your preferred online or bricks-and-mortar bookseller, or directly from the publisher.

Join the fight for the people and power of Tanegawa’s World, in this exhilarating sequel to Hunger Makes the Wolf.

War is coming to Hob Ravani’s world. The company that holds it in monopoly, TransRift Inc, has at last found what they’re looking for–the source of the power that enables their Weathermen to rip holes in space and time, allowing the interstellar travel all of human society now takes for granted. And they will mine every last grain of it from Tanegawa’s World no matter the cost.

Since Hob Ravani used her witchy powers to pull a massive train job and destroy TransRift Inc’s control on this part of the planet, the Ghost Wolves aren’t just outlaws, they’re the resistance. Mag’s miner collective grows restless as TransRift pushes them ever harder to strip the world of its strange, blue mineral. Now Shige Rollins has returned with a new charge–Mr Yellow, the most advanced model of Weatherman, infused with the recovered mineral samples and made into something stranger, stronger, and deadlier than before. And Mr Yellow is very, very hungry.

Disclosure: Alex and I have never met in person, but we’re both contributors to the Skiffy & Fanty Network and have a number of mutual friends and acquaintances. I should also note that my admiration for their work and interest in interviewing them predates that connection!

Alex Wells interview - Blood Binds the Pack cover

Cover of BLOOD BINDS THE PACK, by Alex Wells


[SGM] Welcome to the blog, Alex! To begin, when did you feel like you’d broken in as a writer?

[AW] To be perfectly honest, I still don’t. I’m starting to think it’s one of those things like “when will I feel like a grown-up?” (Answer: never.) I’m sure at this point, people further back on their career goals than me want to just shake me by the hair. But maybe part of the issue is that “breaking in” implies a discrete event, whereas I think everything’s been on a continuum, so there isn’t really a moment of stunning, holy shit revelation. I guess maybe the closest was finally signing on with an agent, just because that had been a goal of mine for so long.

alex acks author photo

Author Alex Wells

What was your path to breaking in? Did you have a strategy? Did it work, or did you end up getting there another way?

I started out writing short stories because the conventional wisdom said that the way to break in was to write short stories and be awesome, and then like, I don’t know, an agent would rappel down your chimney and beg to represent you. It’s total bullshit. If nothing else, being great at writing short stories is zero guarantee you’re going to do well at writing novels. I’m not going to claim it was a waste of time—because it was a set of skills I needed to learn and it got me into the community, so I met a lot of people—but if I knew then what I know now, I probably would have gone about things differently.

And following up on that, knowing what you do now, what would you do differently?

If nothing else, I actually really hate writing short stories and I’m not that great at it, so it was a kind of silly thing to beat my head against for seven years. I’m happier when I’m writing longer stuff. So knowing then… I would have focused on those skills, gotten my screenwriting certificate earlier, and maybe aimed at to see if I could get some novellas going, maybe. I would have more novels finished because I’d be writing those faster. (And doing screenwriting earlier would have helped me with my plot structure issues.) I would have made myself barcon more, too.

Now that you’ve broken in, is it like or unlike what you expected? How?

I don’t feel like anything has really changed from when I started out. I still feel like I’m constantly faking it. It’s really great when people say they’ve read my book and liked it—and kind of weird, if in a good way—but again, if I’m being honest, that’s not a get-out-of-jail-free card from feeling jealous or ignored and all the other sad writer ego stuff. So maybe the unexpected thing is that I still feel pretty much the same, despite the validation you’d figure would come from selling a book. Instead of “why isn’t my short story as cool as this other short story?” you get “why isn’t my novel as cool as this other novel?” On the other hand, having an actual paper novel that people can spot in bookstores means your relatives tend to believe you more when you tell them you’re a writer. And when people do read your book, it’s a great feeling.

Alex Wells interview - Hunger Makes the Wolf cover

Cover of HUNGER MAKES THE WOLF, by Alex Wells

What are you working on now?

I just finished the rough draft on another science fiction novel, which is completely unrelated to Hunger Makes the Wolf. And I’m working on some freelance stuff that I’ll hopefully get to share soon! Looking ahead, I think the next thing is going to be some epic fantasy.

How can people keep up with you online?

The best way to do that is probably Twitter—I’m @katsudonburi there. I’ve also got my website: From there you can basically find everything else, including my newsletter.

Thank you to Alex for the interview! I loved HUNGER MAKES THE WOLF – they had me at Space Biker Witches – and I’m really excited to read BLOOD BINDS THE PACK. I also love the idea of Alex bringing their voice to epic fantasy, so sign me up for that!

Breaking In: Interview with Claire Humphrey

Welcome to the latest installment of Breaking In, where I interview authors about their experiences breaking in as writers — how they did it, what it felt like to get there, and how it differed from what they were expecting.

Today, I’m delighted to have the opportunity to interview Claire Humphrey.

As she notes on her website, Claire Humphrey’s short fiction has appeared in Strange Horizons, Beneath Ceaseless Skies, Apex, Crossed Genres, Fantasy Magazine, and Podcastle. Her short story “Bleaker Collegiate Presents an All-Female Production of Waiting for Godot” appeared in the Lambda Award-nominated collection Beyond Binary, and her short story “The Witch Of Tarup” was published in the critically acclaimed anthology Long Hidden. She is represented by Connor Goldsmith of Fuse Literary. Spells of Blood and Kin is her first novel.

Where we love, we ruin…

Some families hand down wealth through generations; some hand down wisdom. Some families, whether they want to or not, hand down the secret burdens they carry and the dangerous debts they owe.

Lissa Nevsky’s grandmother leaves her a big, empty house, and a legacy of magic: folk magic, old magic, brought with Baba when she fled the Gulag. In the wake of her passing, the Russian community of Toronto will depend on Lissa now, to give them their remedies and be their koldun’ia. But Lissa hasn’t had time to learn everything Baba wanted to teach her―let alone the things Baba kept hidden.

Maksim Volkov’s birth family is long dead, anything they bestowed on him long turned to dust. What Maksim carries now is a legacy of violence, and he does not have to die to pass it on. When Maksim feels his protective spell fail, he returns to the witch he rescued from the Gulag, only to find his spell has died along with the one who cast it. Without the spell, it is only a matter of time before Maksim’s violent nature slips its leash and he infects someone else―if he hasn’t done so already.

Nick Kaisaris is just a normal dude who likes to party. He doesn’t worry about family drama. He doesn’t have any secrets. All he wants is for things to stay like they are right now, tonight: Nick and his best buddy Jonathan, out on the town. Only Nick is on a collision course with Maksim Volkov, and what he takes away from this night is going to crack open Nick’s nature until all of his worst self comes to light.

Lissa’s legacy of magic might hold the key to Maksim’s salvation, if she can unravel it in time. But it’s a legacy that comes at a price. And Maksim might not want to be saved…

Spells of Blood and Kin: A Dark Fantasy, is published by Thomas Dunne books, and is available June 14, 2016 wherever books are sold, from your preferred print or ebook vendor. You can find a complete list of Claire’s works, and how to find them, here.

Full disclosure: Claire and I are in the same writer’s group, and I had the pleasure and privilege of reading Spells of Blood and Kin while it was being revised. So no, I am not objective at all, here, and I’m okay with that, because this is a great book and a remarkable debut, and I encourage you to read it.

spells v2

Spells of Blood and Kin: A Dark Fantasy,  by Claire Humphrey

 [SGM] Welcome to the blog, Claire! To begin, when did you feel like you’d broken in as a writer?

[CH] Thanks for having me!  I probably felt like I broke in around my third short story sale (which was “Bleaker Collegiate Presents an All-Female Production of Waiting for Godot“, to Strange Horizons in 2011).  I certainly hadn’t broken in with readers yet–but I felt like I now had enough evidence to prove to myself that this wasn’t a fluke, that my successes were repeatable, and that I was going to be in this for the long haul.

What was your path to breaking in? Did you have a strategy? Did it work, or did you end up getting there another way?

I’ve always been writing.  I sold some literary short fiction during university, and for many years I worked on a long (very, very long) fantasy novel.  But for much of that time my plan was just “write stuff, send it out”.  In 2008 I went to the Viable Paradise workshop, where I came to learn that my strategy could use some refining.  After that, my story production kicked up, I started submitting more carefully, I made a more serious plan for how to complete the novel that would become Spells of Blood and Kin, and another for how to query agents when it was time.  I’d call that workshop the watershed between “writing” and “being a writer”.

And following up on that, knowing what you do now, what would you do differently?

Nothing.  Even though I haven’t always taken the most direct or effective path, I like where I am, in all regards, and I don’t believe it would look the same if I’d taken another road.

claire humphrey headshot 2

Claire Humphrey, Author (photo by Bevin Reith)

Now that you’ve broken in, is it like or unlike what you expected? How?

I expected to feel a strong sense of achievement when I sold my first book, and I sure did–and still do.  That’s been delightful.  I also expected that it would be just the beginning–and that’s been true too.  The number of things a writer has to do following that first sale is huge.  It’s a strain to try to do all those things on top of a regular life and a fulfilling day-career.  All that is pretty much how I pictured it, and I’m loving it.

The thing I don’t know yet is how it will feel to have a larger audience–if I’ll get to have that feeling any time soon, or at all.  “Breaking in” as a pro writer is one thing; “breaking in” with readers is another, and a thing that many writers never quite get to experience even after going pro.  I’m guessing I’ll have more fans as a novelist than I do as a short fiction writer, but the odds are still against my ever being a household name or an award-winner.  I don’t know how many books I’ll publish in my career or how well they will all sell.  I think there’s a process of breaking in with every new piece of work, and only time will tell how that plays out.  I’m looking forward to finding out.

What are you working on now?

A novel in the same world as Spells of Blood and Kin, this time focused on Gus Hillyard.  Gus is a character I love to write.  She knows really well how to survive, but she has no idea how to thrive.  In this book she faces some of the same problems Maksim faces in Spells but Gus is a different person, with different resources and needs, and her solution is going to be quite different as well.

How can people keep up with you online?

I post pretty infrequently to my blog; I spend a lot more time on Twitter, though it’s not all about literature there (expect frequent digressions on pickling, social issues, beer, and penguins, both bird and hockey varieties).

Thanks so much for having me, and for your whole Breaking In series!

Thanks again to Claire for taking the time out of the busy (and nerve-wracking) preparations of a debut novelist — and once again, I encourage all of you to check out Spells of Blood and Kin.

Coming up next on the blog: A Breaking In interview with another debut novelist, Curtis C. Chen, author of Waypoint Kangaroo!

Pretty Good Year: 2015 in review

The Year in Writing

It’s probably pretty obvious by this point that I subtitle this blog with the phrase, “steady movement is more important than speed, much of the time” for a reason. (No one has ever mentioned recognizing that quote, by the by. Do you? Let me know, and you’ll get an imaginary internet cookie!)

My writing process, given the amount of time I have available to devote to it, can rarely be a sprint, or even something as time-intensive as a marathon. Incremental progress is the name of my game; steady movement.

And there was steady movement this year, and it led to real progress. All in, I got quite a few more words down this year than in 2014. I completed the first draft of my second novel, NOBODY’S WATCHING, a near-future, cyberpunk-inflected thriller for YA readers. That included 16,500 or so new words added to the draft between January and May. I’ve also begun the process of revising it, which is a lot harder to quantify, given that words are being added, subtracted and replaced. The process is well underway, and although I’d kind of hoped to be finished before the New Year, I quite like where the rewrite is taking me.

Also begun this year, but not completed, were a polish of my first novel (in preparation for the querying process that I describe below) and two pitches for prospective new comics series that I hope to submit to a publisher in the not-too-distant future.

The Year in Submitting: Short Stories

I fell off the horse in submitting my short fiction this year; seven submissions to various markets (I think; I also fell off the horse at zealously tracking my metrics this year). That lead to seven rejections. No stories out on submission, and no responses pending.

The biggest development on that front was that, as Canada’s federal election drew nigh, I realized that my short story Final Issue had a best-before date measured in days, and decided to publish it here. It remains the most-read post on this blog this year, not a lot in the grand scheme of things, but I’m certainly pleased.

Honestly, I’m not sure I’m going to get back on this particular horse. Short fiction has proven to be a tough nut for me to crack; no sales over several years of (admittedly intermittent) efforts on my part. The stories I’ve submitted, I’ve been proud of, but I’m starting to think that my style isn’t especially well-suited to the kind of markets I want to sell to. Or, you know, I might not be good enough.

Either way, investing the time and energy in writing more short fiction is pretty far down the priority list. I mean, never say never? But I’m not sure I want to keep throwing that particular spaghetti at those particular walls.

I might end up posting more of my trunk stories here, as a result. If you think that would be of interest, please let me know.

The Year in Submitting: Agent Queries

As I noted in my November recap, I finally finished fixing up my query letter and submitted queries for my first novel, COLD IRON BADGE, to nine agents. To date, I’ve received two rejections, with seven responses pending.

The process, so far, has taken a lot longer than it took me to get rejections across the board from my last round of queries. In that case, the majority of responses arrived within ten days. On the other hand, the entire publishing industry essentially shuts down for the holidays, so I don’t know how much of December I should even count.

In other words, I’m committing submittomancy like a fiend. More news as it happens on that front.

The Year in Blogging

This is the year that I really started making an effort to have this blog be, you know, a thing. You can tell from my posting history: A total of sixteen posts (this one makes seventeen), but aside from last year’s year-in-review post, they were all between September and December.

A significant number of them were Breaking In interviews. I’m very proud of those interviews, and I want to thank all my interviewees: Your generous and informative responses to my questions were deeply appreciated. You provided wonderful interviews, full of really useful insights for aspiring writers and those who are just on the verge of “breaking in”.

2016: Better, Stronger, Faster.

Looking back, I’m kind of surprised; I got more done than I thought I did this year. You know what? I’m proud of what I accomplished.

That’s tempered by the fact that I didn’t get done everything that I wanted to – even factoring out the things that are outside my control. But then, when do I? When does anyone?

2015 was a year of steady progress, but also of change, on all sorts of fronts. I haven’t really touched on the more personal changes this year; suffice it to say, they were substantial, and on balance, positive, and I suspect that 2016 will bring more changes, and even better ones.

I plan to make my writing part of that. If this isn’t the year I break through to the next level – whatever that next level ends up being – at least it won’t be because I won’t be trying.

Thanks for being part of my journey this year. I look forward to sharing with all of you what happens next. I wish you, and all of us, a 2016 full of more and better.

Happy New Year.

And yes, the title was, of course, a reference to this.

Wait, November’s OVER?!

Yeah, November was a blur — and I wasn’t even NaNo-ing this year!

I Lurch Onward with Breathtaking Intermittency

So, how did I fare with my National Personal Novel Rewriting Month, NaPerNoReWriMo?

Not badly at all. I’m not as far along with my rewrite of my novel, Nobody’s Watching as I’d hoped to be, now that December’s here, but there’s no doubt that I made, and am making, real progress. It is, in my usual manner, slower and more halting than I would prefer, but it’s happening. I seem to have gotten myself unstuck.

But oy, the resistance. Like many aspiring writers, I have a tendency towards resistance that manifests mostly as distractibility. I’m not sure why it’s so strong, given that this is something that I really, really want. Time to write, that’s what I go on about wanting at every opportunity – if you’re reading this, you’ve probably already been subjected to that refrain more than a few times, right?

And then, when I get time? Resistance. Because surely something on Twitter requires my attention!

I don’t really get this part of myself, but not fully understanding why I do something doesn’t mean that I can’t try to do something about it. So I am.

I’ve been pushing myself harder to write in the time I have available.

I’ve been reminding myself that 250 words written may not seem like much, compared to the hundreds or thousand words I’d prefer to have the time/energy to hammer out. But it’s 250 words I didn’t have before, and that’s progress.

I’ve been trying to get more and better sleep, so that I’m awake when I’m awake and can bring my best game to everything I do, including my writing.

And I invested in Rachel Aaron’s 2K to 10K: How to write faster, write better, and write more of what you love – a pleasantly brief and delightfully practical book of writing advice that does exactly what it says on the cover. Now, Rachel Aaron was a no-day-job, full-time writer when she developed the techniques she describes, so I, with my hour-of-writing-time-a-day-at-best, am not going to be pulling any 10,000-word writing days any time soon. But happily, the advice scales: When I follow it, I find that I’m noticeably more productive and better able to maximize my writing time. Recommended.

2k to 10 k cover - Rachel Aaron - Stephen Geigen-Miller blog

2K to 10K, by Rachel Aaron. This book is seriously the real deal, you guys.

I’m not sure exactly how all these tactics are fitting together, but I’m feeling better prepared for December. Which is good, because I’d like to finish this draft and get it out to my waiting beta readers before the end of the year.

The Return of the Querying

(That title is a reference that only Greg Beettam will get. What can I say? Sometimes I enjoy a few innings of inside baseball.)

Twitter isn’t the only thing that occupied my time when I was supposed to be rewriting — I can sometimes be surprisingly productive when distracted. For instance, in November, I decided to bite the bullet and send out another round of agent queries for my first novel, COLD IRON BADGE (it was previously entitled ALL THAT GLITTERS).

As I’ve mentioned, my first round of queries met with no great success. Since then, I’ve devoted quite a bit of time to reviewing and polishing my query letter, with support from my writers group and other smart folks (shout outs to Nicole Winters, Claire Humphrey, Melanie Fishbane, Rachel Hartman and Dorianne Emmerton!) And it’s finally in what I hope is better shape.

I’m still being selective, and sent queries to nine agents who I think might be a good fit for my book now, and for the kind of books I want to write in the future. That’s a comparable number to the first batch.

We’re in the early stages yet; agents get a huge volume of queries, and it can take weeks or months for them to get to any given one – with US Thanksgiving in there, too. But yeah, it would not be unfair to suggest that I may be practicing the Forbidden Art of Submittomancy.

I’m not going to get any further into specifics here, but I’ll do a post-mortem on the final outcome, and I’ll definitely share the news if this process ends in my signing with an agent.

That was November. All in all, I feel pretty good about it. And how are you?

Coming up next on the blog: The last Breaking In interviews of 2015, and a year-in-review post.

Open Call for Breaking In Interviews

The Breaking In interviews are one of my favourite kinds of posts here, and not just because they’re easier than writing 1,000 to 2,000 words on my own. Many of you seem to agree — with a couple of exceptions, they’re my most-read and most-shared posts by a wide margin. (And thank you – I really appreciate it when you take the time to do that!)

So I’d love to run more Breaking In posts. Heck, I’d be thrilled if I could run one a week, although that would probably force me to up my game in terms of my own posting – hmm, maybe not such a bad thing at that.

To run more interviews, I obviously need more interviewees. So far, I’ve been contacting writers myself, but there are so many authors out there – each of them with a unique path to breaking in. It makes me wonder what inspiring stories and useful ideas I’ve missed.

This is a call, then, for authors (or publicists) to contact me. Please let me know if you’d be interested in participating in a Breaking In interview!

Generally, I use the same template questions, because I want to keep focused and on topic. But interviewees are free to take the questions in any direction they like, and shouldn’t feel too bound by them.

I include at the start of the interview some brief biographical details and information about the writer’s latest work. I like to break up the text with images – book covers and a picture of the author, most often, although if a writer would rather not have their picture used, that’s fine too.

I prefer to schedule posts so they go live around the release of a new book, or something similar – so the extra eyeballs on a writer have the most impact.

My focus is on writers of short stories, novels, and comics/webcomics/graphic novels.

I’m specifically interested in interviewing authors from communities that are marginalized or under-represented in fiction writing  and would particularly welcome being approached by those writers. I’d like my interviews to reflect the true range of diversity. This definitely includes but isn’t limited to writers of colour, women and non-binary writers, LGBT writers, neurodiverse writers, and writers from other marginalized communities or identities.

Plus, it’s important that you’ve actually, you know, broken in.

Interested? Good! Please get in touch with me via the information on my Contact Me page. I look forward to hearing from you, and learning about how you broke in as a writer.

Coming up next on the blog: Probably an update my Big Rewriting Adventure, PerNaNoReWriMo. I also may have some thoughts on Dylan Horrocks’ graphic hovel, Sam Zabel and the Magic Pen. After that, heck, I might just have some more interviews to run!

Catching up with myself at 44

I quite liked the format of my last catch-up-and-assorted-miscellanea post, Scattershot September. Sadly, Scattershot October doesn’t have the same ring to it – I have an unrepentant love of alliteration – and I don’t have a good, generic name for this kind of post yet. I suppose I’ll just have to persevere. Which is apt in itself, because if there’s any unifying theme to this particular set of updates, it’s probably “I suppose I’ll just have to persevere”.

Sleep is for the weak, I used to say

I’ve been so tired, lately. I mean, I’m always tired. It’s just part of life. But lately it’s been more noticeable. It’s likely, partly, the change in the season, and the march towards Falling Back. But it’s also a sign that I need to exercise more, eat better and, oh yeah, start getting enough sleep.

That’s frustrating, because the one thing that I always feel is most at a premium is time. The thought of spending more of it sleeping? At the moment, that sounds pretty great, actually. In general, though, I worry about losing even more time.

But yes, I know that being exhausted and/or sick isn’t great for my productivity either. So I continue to try to figure out ways to get more rest, and maximize the rest of my time.

Writing is rewriting, especially in November

One of the things I need to do with the rest of my time is finish rewriting Nobody’s Watching (my second novel).  Per usual with my writing process, it’s been moving forward, but in rather more fits than starts. So, I think it’s time for a big push. Because I do tend to do better when I have some kind of external deadline or mechanism of accountability, I’m going to piggyback on this year’s National Novel Writing Month.

Rewriting an already-completed first draft doesn’t fall within the scope of NaNoWriMo, so I won’t be racing for the 50,000-word-crown this year. This is going to be unofficial, informal, and just for me: Personal National Novel Re-Writing Month.

Yes, I’m going to refer to it as PerNaNoReWriMo.

No, I don’t expect that to catch on.

Like, at all.

I will, however, be keeping you all updated on my progress – more via Twitter than here, but I’ll try to do at least one state-of-the-work-in-progress blog post around the midway-point, and a post-mortem afterwards.

Any year you celebrate your birthday is a good year

If you’ve detecting a certain flavour of reflection and taking stock, it’s because as I write this, I’m about to turn 44. The post will be going up on my actual birthday. So yes, it’s a good time for a little self-evaluation and some goal-setting.

First and foremost, after my big health scare three years ago, I am very glad to be here to be celebrating my birthday at all!

But if I want to keep having birthdays — and I really do; I have a family that needs me and a life I quite enjoy — I’m going to have to, need to, somewhat belatedly, really make a priority of eating better and exercising.

So those are on the list of things to get serious about in the year to come. As is trying to move forward with my writing — with revising my second novel, and with querying my first one as part of continuing to try to get an agent.

And, you know, maybe trying the occasional new thing too.

Speaking of new things, I still can’t draw

Of course, I can’t sing, either, and that’s never stopped me. But one of the side effects of spending a lot of time over the years around a lot of really good comics artists has been a certain degree of self-consciousness over my own rather limited artistic skills. To address that, and more importantly, to have fun, I’ve recently jumped on board a Twitter #hashtag game, the #WednesdayDoodle. Which is, you know, just what it sounds like. Every week on Wednesday, you draw a doodle, take a picture of it, and post it to Twitter. I think it was originated by Patrick Hester and Jeff Patterson, both of whom have been quite gracious about me joining their party.

I drew an elf

I drew an elf!

And Superman!

And Superman!

... And... um, Dracula riding a hoverboard? (This was a #Drawlloween, suggestion, including the title)

… And… um, Dracula riding a hoverboard? (This was a #Drawlloween suggestion, including the title, on ‘Back to the Future’ Day)

I’ll never be a great artist, but I think I’m a pretty good #WednesdayDoodle-er. You can follow me on Twitter to see what I scribble next, and if you like, join in and share your own #WednesdayDoodle!

Books, glorious books

I’ve never really used this space to get into what I’m reading, have I? Which, now that I think of it, is a little odd for a writer and passionate reader. I think it’s partly because I don’t really want to do reviews. But I do want to share what I love, so…

I’m almost done Leah Bobet’s An Inheritance of Ashes, and it is splendid. It reminds me of both Le Guin’s Always Coming Home and Walton’s Among Others — in very different ways — while still being uniquely itself. Highly recommended.

I recently finished Rachel Aaron’s 2,000 to 10,000: How to Write Faster, Write Better and Write More of What you Love, which is exactly what it says on the tin — a guide for writers to increase their productivity. I’m still digesting the suggestions, but it seems very useful.

And Nicole Winters’s The Jock and the Fat Chick, which is, as I’ve mentioned before, a delight.

I also attended a panel on graphic novels at the International Festival of Authors, which featured Jillian Tamaki, Adrian Tomine, and Dylan Horrocks — afterwards, I picked up Dylan’s new graphic novel, Sam Zabel and the Magic Pen, and he was kind enough to sign it.

Next in the queue: Between the World and Me, by Ta-Nehisi Coates, and Envy of Angels, by Matt Wallace.

And what wisdom do you have to impart, from the ripe old age of 44?

Not much. If I had it all figured out, my scattershot blog posts would probably be a lot less scattershot!

43 had plenty of downs, but plenty of ups, and it ended better than it started. That’s good.

There’s lots of work that I need to do, in many facets of my life. But there’s also the opportunity to do it. That’s good.

There are loved ones and friends in my life, and books to read. That’s good.

And I am, as I noted above, still here. And so are you. That’s more than good. That’s wonderful.

Hmm. There’s a theme, there: “Work hard, take care of yourself and others, and remember to show your gratitude and love for the good things and great people in your life.”

That actually almost does sound like wisdom.

Hell. I really am getting old!

Coming up next on the blog: An open call for Breaking In interviews!

Breaking In: Interview with SL Huang

Welcome to the latest installment of Breaking In, where I interview authors about their experiences breaking in as writers — how they did it, what it felt like to get there, and how it differed from what they were expecting.

Today, as an unabashed fan of stories about smart people kicking butt and lots of explosions, I’m delighted to have the opportunity to interview SL Huang, self-described speculative fiction writer, mathematician and gunslinger. (The first two I get; I’m not sure if the last is meant literally, or if it’s a deft metaphor for self-publishing!)

SL has had short fiction and essays published in a wide range of venues, but is probably best known for the Russell’s Attic series of contemporary science fiction thrillers. The self-published series focuses on Cas Russell, a mercenary heroine whose superpower is being really, really good at math. SL just released the third volume in the series, Root of Unity:

Cas Russell has always used her superpowered mathematical skills to dodge snipers or take down enemies. Oh, yeah, and make as much money as possible on whatever unsavory gigs people will hire her for. But then one of her few friends asks a favor: help him track down a stolen math proof. One that, in the wrong hands, could crumble encryption protocols worldwide and utterly collapse global commerce.

Cas is immediately ducking car bombs and men with AKs — this is the type of math people are willing to kill for, and the U.S. government wants it as much as the bad guys do. But all that pales compared to what Cas learns from delving into the proof. Because the more she works on the case, the more she realizes something is very, very wrong . . . with her.

For the first time, Cas questions her own bizarre mathematical abilities. How far they reach. How they tie into the pieces of herself that are broken — or missing.

How the new proof might knit her brain back together . . . while making her more powerful than she’s ever imagined.

Desperate to fix her fractured self, Cas dives into the tangled layers of higher mathematics, frantic for numerical power that might not even be possible — and willing to do anything, betray anyone, to get it.

Root of Unity, and the other volumes in the Russell’s Attic series, are available through your preferred online bookseller. You can find a complete list of SL Huang’s works, and how to find them, here.

Root of Unity, by SL Huang (cover by Najla Qamber)

Root of Unity, by SL Huang (cover by Najla Qamber)

[SGM] Welcome to the blog! To begin, when did you feel like you’d broken in as a writer?

[SLH] It feels so funny to be asked this, because I still feel like a raw beginner!  When did I break in?  Um.  Ask me again in ten years?

I think the funniest thing about “breaking in” is that it rarely feels like I think it will.  It always feels like just another day, just another step, just the next piece of work.  And suddenly people are looking at me saying, “how did you get there?” and all I can think is, “Well, I took a step, and then I took another step, and another one . . .”

Zero Sum Game, by SL Huang (cover by Najla Qamber)

Zero Sum Game, by SL Huang (cover by Najla Qamber)

What was your path to breaking in? Did you have a strategy? Did it work, or did you end up getting there another way?

I had something I thought was a strategy (publish book! publish more book!), but it turned out only to be the beginnings of a journey — essentially, I had the tools to jump off the ledge, but I had no idea what I’d find as I fell.

Did it work?  Well, yes, I jumped!  But at every turn I’ve learned more or found new opportunities, so to mix some metaphors, since then my journey has been multiplying and growing in unexpected directions like some sort of weird fungus.

If I feel qualified to offer only one piece of advice to beginning writers, it’s this — embrace that expanding fungus!  Say yes to opportunities.  Let The Plan branch.  If you find yourself holding the ball, don’t question it, run with it — as fast as possible and as far as possible and as long as possible.

And following up on that, knowing what you do now, what would you do differently?

Sadly, the things I’d like to do differently mostly involve stuff that’s beyond my control.  For instance, above all I really, really wish I were a faster, more prolific writer.  I can push myself to an extent in this area, but I don’t naturally write as fast as I’d like to in order to grow my career in the way I’d prefer.

But that’s all right!  Because something else I’ve been discovering is that there’s never only one path to anything.

Half Life, by SL Huang (cover by Najla Qamber)

Half Life, by SL Huang (cover by Najla Qamber)

Now that you’ve broken in, is it like or unlike what you expected? How?

It’s unlike what I expected in that, in a lot of ways, it’s exactly the same.  Every day I try to write more of the next book, and it’s hard work and I doubt my abilities and I worry about whether people will like it.

The only difference is that I’m making enough money through writing to pay for my health insurance.  Oh, and perhaps that I get asked to do author interviews about having broken in! Ha!

What are you working on now?

The bulk of my writing time right now is going to Book 5 of the Russell’s Attic series.  That book will be called Golden Mean, and it’s a story more about Cas’s friends than it is about her.  Book 6, Binary Operator, will return to the larger mytharc.

At least, that’s the plan.  But you know what I said about plans above . . .

How can people keep up with you online?

My website is, and it always stays up to date with my latest books.  I blog at Bad Menagerie, but I’m most active on Twitter as @sl_huang.  Drop by and say hi!

Thanks to SL Huang for such a thoughtful and informative interview! I’ve been a fan of the Russell’s Attic series from the moment I read the first two lines of Zero Sum Game:

“I trusted one person in the entire world. He was currently punching me in the face.”

I mean come on, what more do you need?

Coming up next on the blog: I suppose after three interview posts in a row, I should really talk about myself again? So, a State of the Me post it is, then. Also, because people have been asking, a call and some guidelines for others who might be interested in participating in a Breaking In interview.

Breaking In: Interview with Nicole Winters

Welcome to the latest installment of Breaking In, where I interview authors about their experiences breaking in as writershow they did it, what it felt like to get there, and how it differed from what they were expecting.

Today, I’m pleased to have the opportunity to interview a gifted writer who works outside my usual genre comfort zone, Nicole Winters.

As she notes on her website, Nicole’s own journey as a creator took her from being a reluctant reader herself, to being a published YA author writing for reluctant readers who “don’t love reading… yet”. Her first novel, TT: Full Throttle, was published by Lorimer in September, 2013. It’s the pulse-pounding story of a young man driven to fulfill his late father’s dream of riding in the most challenging motorcycle race in the world.

Her latest novel, The Jock and the Fat Chick, represents a first foray into YA romance.

No one ever said high school was easy. In this hilarious and heartwarming debut, one high school senior has to ask himself how much he’s willing to give up in order to fit in.

 Kevin seems to have it all: he’s popular, good looking, and on his way to scoring a college hockey scholarship. However, he’s keeping two big secrets. The first is that he failed an assignment and is now forced to take the most embarrassing course ever–domestic tech. The second is that he is falling for his domestic tech classmate, Claire.

 As far as Kevin is concerned, Claire does have it all: she’s funny, smart, beautiful, and confident. But she’s off-limits. Because Kevin knows what happens when someone in his group dares to date a girl who isn’t a cheerleader, and there’s no way he is going to put himself—or Claire—through that.

 But steering clear of the girl of his dreams is a lot harder than Kevin thought…especially when a cooking project they are paired together for provides the perfect opportunity for things to heat up between them outside the classroom….

(I know people don’t always trust marketing copy, but I’ve read this story, and it really is both heartwarming and hilarious. I love it.)

The Jock and the Fat Chick is available right now in ebook from Epic Reads Impulse  (an imprint of Harper Collins). You can get it directly from the publisher or from your preferred ebook vendor.

The Jock and the Fat Chick, by Nicole Winters

The Jock and the Fat Chick, by Nicole Winters

[SGM] Welcome to the blog, Nicole! To begin, when did you feel like you’d broken in as a writer?

[NW] Thanks for having me as a guest, Stephen. I think I finally felt like I’d broken in as a writer when I signed my first contract for TT Full Throttle. But even then it still felt surreal, so I went online and bought a ball cap that said “Writer” on it and wore it around the house, mainly giggling.

TT Full Throttle, by Nicole Winters

TT Full Throttle, by Nicole Winters

What was your path to breaking in? Did you have a strategy? Did it work, or did you end up getting there another way?

My path to breaking in consisted of two business strategies: polish the product and polish the sales pitch.

When it came to outlining, editing and finalizing the story, education and persistence was key. I would use every waking moment around my day job as an opportunity to work on my writing. I’d carry roughly 20 pages of the novel with me all the time and looked for chances to edit (commuting to work on the streetcar, lunch hour, in line at the bank and so on). Then at night, I’d type the changes into the computer and it was basically rinse and repeat. When I needed a break, I’d read books on the craft, talk shop with fellow writers, watch films, attend professional organization meetings (like CANSCAIP and the Romance Writers of America’s Toronto Chapter), and attend workshops and retreats (like WildAcres).

Once I had the story polished, I signed up on QueryTracker and took my time researching agents, trying to find the best fit for my work. Meanwhile, I endured the arduous task of writing the query letter. Ugh, it’s the part of being a writer I hate the most. I’d read blogs like QueryShark and study good and bad examples. I’d write a draft query and story summary, then leave it for a few days and come back to it fresh, then tweak it and leave it, and repeat. After that I’d send it to my writer’s group for feedback and more tweaking. I don’t enjoy this part of the process at all, but it’s incredibly crucial and important that it’s not rushed and that it’s done right. It’s like watching Dragon’s Den or Shark Tank where the entrepreneur has a great idea/product, but is bombing in front of the investors because the pitch lacks preparation, or doesn’t match up with the product, or they simply didn’t know how to sell it. I’ve learned a lot from watching those shows.

Author Nicole Winters

Author Nicole Winters

And following up on that, knowing what you do now, what would you do differently?

Stephen, if I could throw money at the query letter and one-page summary I would… I’d hire me a really good sales person, like a character from Glengarry Glen Ross,  (then remove all the offensive language and swears). Seriously, I think helping my friends with their queries and summaries also helps me too. It’s so much easier to write a good sales pitch when it’s someone else’s story.

Now that you’ve broken in, is it like or unlike what you expected? How?

When it comes to the business side, where decisions are mainly in other people’s hands (agent, publisher, editor, etc.), I wasn’t at all prepared to feel so many highs and lows. With a regular job you pretty much know what to expect: punch in, do job, punch out, get paid. With writing, I’d hear nothing for weeks on a story submission, then I’d get a bite, then more waiting, then a contract (or rejection), etc. It’s like being on a roller coaster. I’m either sitting, waiting for the ride to begin, or it’s stalled half way up the first hill (and I have to climb off), or I’m suddenly flying down the other side.

How are you dealing with it?

At first I tried to ignore the small victories and told myself only to celebrate the big ones, like a contract, but it didn’t work. Celebrating the small victories is what motivates me to persevere. It’s letting my imagination get carried away with future possibilities and setting myself up for disappointment because it never happens like I imagine it would in my mind. I’ve learned to celebrate in the moment for what it is and nothing more, no matter how tempting it may be to daydream.

What are you working on now?

I’m working on two different goals, one short term and one long term. The first is my next YA book, The Conjurer, and the second is branching out as a middle-grade author, but under a different name. In some ways, it’s like I’m breaking in all over again.

What led you to consider a pseudonym for your middle-grade writing?

Shelving my middle-grade novels next to my YA novels with a more mature content is not a great idea. By choosing to write under N C Winters for my middle-grade books it makes it easier for publishers, booksellers and branding. Of course once that happens, I’ll continue to have all my books on my website, just under separate webpages.

Speaking of your website, how can people keep up with you online?


Facebook: Nicole Winters YA Author

Facebook: The Jock and the Fat Chick

Thanks, Stephen!

Thank you to Nicole for an interview that was both heartfelt and full of practical advice! The Jock and the Fat Chick is being released the same day this post drops (October 13, 2015) and I can’t recommend it highly enough.

Coming up next on the blog: We just keep breaking in! Next up is an interview with author SL Huang.

Breaking In: Interview with Leah Bobet

Welcome to the latest installment of Breaking In, where I interview authors about their experiences breaking in as writers – how they did it, what it felt like to get there, and how it differed from what they were expecting.

Today I’m delighted to welcome Leah Bobet to the blog. Leah is a Toronto-based author, bookseller, freelance copywriter, editor of the online fiction magazine Ideomancer, and all-around Word Ninja.

Her short fiction has been widely published and critically acclaimed. Leah’s first novel, Above, was published in 2012. I am on record as thinking rather highly of it.

Her new novel, An Inheritance of Ashes, was published earlier this month, by Scholastic in Canada, and by Clarion Books / Houghton Mifflin Harcourt, in the US.

The strange war down south — with its rumours of gods and monsters — is over. And while 16-year-old Hallie and her sister wait to see who will return from the distant battlefield, they struggle to maintain their family farm. When Hallie hires a veteran to help them, the war comes home in ways no one could have imagined, and soon Hallie is taking dangerous risks — and keeping desperate secrets.

But even as she slowly learns more about the war and the men who fought it, ugly truths about Hallie’s own family are emerging. And while monsters and armies are converging on the small farm, the greatest threat to Hallie’s home may be Hallie herself.

An Inheritance of Ashes is available now from your preferred bookseller, either bricks-and-mortar or online.

An Inheritance of Ashes, by Leah Bobet

An Inheritance of Ashes, by Leah Bobet

[SGM] Welcome to the blog, Leah! To begin, when did you feel like you’d broken in as a writer?

[LB] “Breaking in” – that makes me feel like I need a catsuit, lockpicks, and possibly rappelling equipment.  Do those crimes, Badass Me!

More seriously, though, it almost implies someone was trying to keep me out—or that I wasn’t supposed to be there in the first place!—which is not what my relationship to publishing and writing has been.  I’ve found it to be frequently a hard job, and a pretty unglamorous one; it’s meant having to do some personal and emotional growth in service to the work, and that’s not easy stuff.  But the doors were not locked, and I was not trespassing.  I just had to hone my craft enough to tell the stories I have well, and find the ways to describe them that help publishers and editors see how they might connect with an audience.  I’m still honing both those skills, really.

So I’m not sure I’ve ever felt that I’ve broken into something hallowed and out of my league, or Made It™; I’m very aware I will never be at the stage of my career where I get to sit back, know It Is Accomplished, and rest for a while, because that thing just doesn’t exist.  Publishing’s a very organic field, and this year’s Big Deal can be absolutely obscure in two or three years’ time—or just completely irrelevant, because the focus of readers’ interest has changed.  Classic books fall out of print all the time.  Schools of thought die out.  Just because you were nominated for an award once, it doesn’t mean you will be next year or the year after.  In some ways, what you get in publishing, you do not necessarily get to keep. You earn it all over again every time, with each new book.

Or to say it more positively: As a field, literature is a conversation, and conversations move.  And there is always, always room to grow within them, or along with them.

So, fourteen years into my career as an author—my first short story was accepted and published fourteen years ago this month!—I’m still quite aware that this is only the beginning.  Two books is an accomplishment; at the same time it’s really nothing much at all.  There is very little in my career that it would be smart—or appropriate—to take for granted except the skill I’ve worked to put into my hands.  There are always goals I have for my craft that are distant, a whole journey away and a whole mountain high, and I don’t expect I’ll ever get to a point where I’ve broken in, where I’ve accomplished, where I’m at the end of the quest.  This is one of those disciplines where the walking is the point.  It’s a process discipline.  If I reach all those goals, I’ll just make up more goals, after all, and keep on down the road.

Leah Bobet (from the author's website, used with permission)

Leah Bobet (from the author’s website, used with permission)

What was your path to breaking in? Did you have a strategy? Did it work, or did you end up getting there another way?

I wish I could say I’m one of those people who has grand master plans.  Very few of my plans ever survive contact with real life, especially if they presume anything about life more than six months down the road, which is usually when I look at the plan, laugh hysterically at the gap between the life I’m living and what I thought I’d still be living six months before, and scrap it for a whole new plan.

I wanted little things when I sat down at eighteen to write my first published short story.  First, I wanted to get the story in my head out properly.  Then I wanted to see if I could sell it.  Then I wanted to figure out some techniques so I could do that better and more easily next time, or write something that would work for a specific magazine, or make a professional sale, or get an honourable mention—and then a reprint!—in a Year’s Best anthology.  Write a book!  Get some grants!  Sign with an agent!  Sell a book!  Do some school visits!  Support myself writing full-time!  Appear at my favourite literary festival!  Jump genres, reverse every epic fantasy trope I know, and still have a functional novel!  Plan a multi-city or multi-author tour!

This has been a short summary of the last fourteen years.

So while I followed what some agree is the conventional career path of learning on short stories, using those credits to show a literary agent you can deliver (once you’ve cold-queried ones who represent something like what you write), and moving into novels, this wasn’t quite so deliberate as being a strategy.  It was just the process of what interested me as a craftsperson, my tendency to learn on the job and just claw my way upward, starting young enough to plainly not have the skills for novels at first, and a certain amount of adapting to the curve balls as they flew at me—a series of best-fit solutions at the time.

For example, I didn’t expect Above to sell into a YA publisher; that was a strategy my agent pursued with what I felt was very much an adult novel, because she thought it would have traction in that market.  With An Inheritance of Ashes, I had to learn to write a young adult novel on purpose: I had an option to fulfill, and I’d never actually done that before.  It’s not at all where I thought I’d find myself, but circumstances required it, and so I learned an interesting new thing.

Writing as a career has taught me that big things are made out of little things.  I mostly get interested in seeing whether I can pull off a short step: Whether I can do something I find interesting well.  I always started with “Hey, can I do that?  It would probably be neat.  I’d love to learn that.  It’s a good challenge.”  I am old enough in terms of industry-years that I’m less and less concerned as time goes by with how my goals or interests look to outside parties.  I don’t waste a lot of time on “should” or appearances anymore.  I mostly just find interesting challenges and do the work, one step at a time.

Above, by Leah Bobet

Above, by Leah Bobet

And following up on that, knowing what you do now, what would you do differently?

It’s hard to say which choices I might have made differently now.  So much of how we move ourselves in an arts career has to do with what options we have and where we are as people at the time of those decisions: What choices Past Self actually had open and could reasonably make.  It’s also about not beating Past Self up for not having invisible foresight or unattainable knowledge, once we’ve got the hindsight.

I think there are situations where I’d have liked to stand firmer on my boundaries, in terms of business practice, or trusted my own instinct about something being a bit fishy before it got apparent that it was very fishy, and I had to do damage control.  But some of those things I wasn’t sure I wanted—see above, about having no idea how to write a YA novel deliberately and being thrown face-first into a whole different publishing subculture—have really turned out to be amazing gifts.  I’m glad, four years down the road, that I didn’t stand on principle about submitting Above to YA publishers.  It’s a great, supportive, amazingly talented writing subculture that lets you blend genres like crazy without blinking an eye, and you know?  I feel pretty lucky that it found me.  I wouldn’t have known enough to go find it.

So: That’s why it’s hard to say what I might have done differently.  It’s the classic time-travel problem: What difference in the iffy decisions would take out the things you’re really happy to have now?  Best to not get into that machine to kill Hitler, maybe.

Now that you’ve broken in, is it like or unlike what you expected? How?

I had the enormous luck to be part of a writers’ group that saw a lot of success in both adult and YA SFF.  People I Knew When and workshopped with at the beginning of all of our careers include Elizabeth Bear, Rae Carson (NYT bestseller as of this month, and I am so happy for her it is ridiculous), Jaime Lee Moyer, Amanda Downum, Jodi Meadows, C.C. Finlay, Ilona Andrews—the list kind of goes on.  There’s also a very supportive YA and middle-grade community in Toronto and Southern Ontario, which also makes a habit of working together to make the most of opportunities, talking frankly about business, and bringing back information and datapoints on how publishing works to the group.

Between them, I’ve had a very clear idea, for a very long time, of what a full-time writer’s life entailed.  I had very few illusions re: champagne, suitcases of money, or custom-rigged fleets of corgis when I sold my first book.

So in some senses, I was pretty solidly prepared.  In other senses, though, life is a thing that does not sit still.  I write full-time right now, but that day is divided between fiction and freelance copy writing and editing, and I didn’t anticipate how much professional satisfaction I’d get from the freelance side of operations.  I didn’t anticipate that I’d fall face-first in love a few months after going full-time and that the ambitions I’d planned for—me, enough sleep, and enough money to keep writing the next book—would expand, after a few short years, to finding ways to afford a wedding and wrestle with whether we’ll ever be able to afford a house as a pair of arts professionals.

So I think that even if the industry doesn’t change, we’re people, our lives change, and what we want from writing and publishing can change pretty radically.  Very quickly after jumping into a life built around fiction being enough, life changed and fiction was not enough for me.  Now, if it doesn’t help me afford the time and money to be a stable and good parent in a few years’ time, I’ll go back into the day job model and be glad to do it.

That really is a GORGEOUS cover

That really is a GORGEOUS cover

What are you working on now?

I’m deep in the promotional work for An Inheritance of Ashes, and that’s been my core focus for the last month or so.  But writing-wise, I’m a decent way into a very different manuscript: an experiment in whether I can take the Battle School from Orson Scott Card’s Ender’s Game and write it as a place that is compassionate, that values agency, and that wants the best for people.  So: Ender’s Game with ethics.  And robots.  Very large robots.

Like all the other experiments: We’ll see if it turns out!

How can people keep up with you online?

I’m most responsive on Twitter, at @leahbobet, chatting about everything from books to politics, baking, sociology, narrative theory, neighbourhood dog reports, and Final Fantasy VII replays where we give the characters funny names.

If you’re strictly into the authorial goods, check out my Facebook fan page or the website,, which are much more business-oriented and focus on the latest authorly doings.

Thank you to Leah for an interview that was amazingly informative while also challenging the fundamental premises of my questions! In a month that, as others have pointed out, is astoundingly full of wonderful new books, An Inheritance of Ashes is one of the ones I’m most looking forward to.

Coming up next on the blog: After a year-long drought, it’s raining Breaking In interviews! Stay tuned for interviews with Nicole Winters and SL Huang.

Scattershot September

My time in blogging seems to be marked more by hiatuses than by, you know, periods of actual, regular blog posts, doesn’t it?

My ongoing struggle to manage my time, and balance my responsibilities – family, work, my health, my writing, my writing about those other things – continues.

And obviously, my efforts last year to get a bit more consistent in posting here, via new topics, weren’t entirely successful – I’m still proud of the Breaking In interviews, but I didn’t keep up with them, and remember when I was going to blog weekly about reading James Joyce? Ha!

And yet. There’s something about this format that really appeals to me. I love Twitter, but I’m kind of terrible at it. By the time I can get a thought down to 140 characters, the tweet has often gone stale – or, more usefully, I’ve thought better of it. Facebook is such a walled garden; I like using it to keep up with friends, but it’s not good for getting ideas out there.

I like releasing my thoughts into the wild, and I’m not good with brevity. That should make me a freakin’ natural at blogging.

So, I’m going to start small – with this post, no big plans for series of posts about this or that topic. I’ll go a bit scattershot, throw a bunch of little updates into the air, and see what lands.

I finished the first draft of my new novel earlier this year. Then, over the summer, I finished the process of reviewing it, and going over notes – my own, and the ones from my writers group. Now I’ve started rewriting it. The middle, especially, needs a lot of work, to the extent that I’m starting there, and plan to follow the ripples I cast across the beginning and the end. I have no idea how long this will take, and given that I always underestimate timelines for this sort of project, I’m reluctant to even guess. I’ll share what I know, when I know it.

With some very welcome assistance from my aforementioned writers group, I also dusted off the query letter for my first novel. It’s almost ready to go, and sending it out to some potential agents will be a good way to keep that project from idling while I’m working on the rewrite for the new one. My first batch of queries – about a year and a half ago now – were not at all successful. I suspect that was at least partly due to weaknesses in the query letter, so I’m hopeful this revised version will get more traction, and some less disheartening results.

And I’m gearing up to do something that I haven’t done in forever – play D&D! I’ve got some of the books for the new 5th edition, I’ve got some great players lined up, and they’ve got awesome characters. So it looks like I’m going to be DM-ing a new campaign with the new rules. Typically for me, my attempt to run a plot-light, just-for-fun series of adventures has fallen apart even before it began. Quite without my intending it, this campaign already has a Plot, and maybe even Themes. But still: Dungeons will be crawled! Doors will be kicked in! Monsters will be slain and treasure looted!

(If you can’t tell, I’m really looking forward to this.)

In addition to all the political fun going on in the US, Canada is in the midst of a federal election campaign – we go to the polls October 19th. I doubt that I’ll get into my thoughts on that directly here, but it’s still taking up a certain degree of mental and emotional real estate. My politics are a bit more on display on Twitter, if you’re interested.

But ah, wise readers that you are, you’ve probably already noticed the “directly” I deployed as a qualifier up there.

You see, I have this short story, and it deals in part with some political issues that Canada is facing, indirectly. Unsubtly, but indirectly. Because of that, I rather strongly suspect that this story has a best-before date that can now be measured in weeks, and will be quite expired after election day. It’s a story that I’m proud of, but that has never managed to find a market.

So instead? I’m going to run it here. Ah, I knew I’d figure out what my next post should be by writing this one.

Coming up next on the blog: A foray into fiction, with my short story ‘Final Issue’!